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Wednesday, September 29, 2010

Open House in London

A weekend or two ago it was open day in London - lots of buildings flung their arms open to the masses.  More importantly, you could also wander around the City Square Mile and take pictures of buildings to your heart's content, without being arrested as a terrorist.

I tried my hand at some architecture - the Gherkin (from the outside) and the Lloyds Building (mostly from the inside). Here's a link to flickr for the set, if you fancy seeing them all.

But here's the one I like best: the Gherkin, reflected in a watery silvery way:

Monday, September 27, 2010

Thunder made out of diamonds

When I’m working from home there usually comes a point where I have to get up from my desk and rush out into the air, usually on the pretext of going to the supermarket or post office. But sometimes, once I get out into the street, I realise at once that I don’t need groceries and I have nothing to post.

When this happens, I keep walking past Balham tube station until I get to the best second-hand bookshop in the neighbourhood (also one of the best in London), My Back Pages.

I tend to come out with exactly one book, and it’s never one I had previously intended to buy. Last week it was a Penguin Classic I’d never heard of, by Irmard Keun, called Child of All Nations.

I bought it because I liked the cover:

Child of All Nations was written in 1938, and only translated into English in 2008 – by Michael Hoffman, who is best known for his translations of Joseph Roth. There’s a connection, for Irmgard Keun travelled round Europe for many years as Joseph Roth’s companion. Both were writers and bohemians, both drank too much, and both were in flight from the Nazis, who were burning their books.

The novel is the story of Kully, a young girl whose parents are doing just what Keun and Roth did. The father drifts from one European capital to the next, writing and boozing, and trying to charm or wheedle money out of people. Whenever he does get a few coins, he blows it on inviting impecunious poets and street-drinkers out for absinthe and rum. Meanwhile, Kully waits with her mother in Dutch and Belgian hotels which they cannot afford to leave, for that would mean paying the bill. She picks up languages by the half-dozen, meets children and adults, and plays with anything she happens to find, from rotting crabs to tiny balls of mercury spilled from a broken thermometer. She observes all: an eternally na├»ve narrator who misunderstands what is going on, but who – of course – really understands more than anyone. The adults are lost and often sad; Kully does not get it, and so she sees things as they really are.

It’s an exquisite, moving book, beautifully written (and beautifully translated). Kully’s father is an unforgettable character: warm, impulsive, generous; intimidating when drunk, shockingly irresponsible, yet somehow reassuring. When he is around, it seems nothing can go wrong; the trouble is, he is hardly ever around. Early on, he is described as having eyes which “sometimes looked as if they had swum far out to sea and weren’t completely back yet.” And when he gives a lecture in Poland, Kully (who isn’t sure what a lecture is) pictures it as a glittering spectacle in a vast castle, attended by thousands of people. It must, she imagines, “must be something like thunder made out of diamonds.”

This book is thunder made out of diamonds too, and it takes you far out to sea. I’m glad so few of the books I find are like this, or I’d never get anything else done; I’d read and re-read them, and perhaps forget to come back.

Here is Irmgard: